SKRIK sheds light on a major issue: incest.
SKRIK brings this issue into the public eye.
SKRIK is an act of resilience designed to encourage change.
INCEST is a real public health issue.
INCEST has yet to be tackled head on by politicians and the justice system.
INCEST is complex and so shocking that part of society is still in denial.

©Kurt Van der Elst
“Skrik” is the original Norwegian title of The Scream, Edvard Munch’s famous painting. In this sound - Skrik - as in the painter’s work itself, there is something distorted, chilling, like the crack of a bone. More than a sound, it is a shattering, close to the porcelain breaking. A fractured resonance that fits perfectly with Elisabeth Woronoff’s play Skrik, 60 minutes of an intensely sensory experience (visual but also sonic and atmospheric) that immerses you in the mind of a woman who has lived through incest, as she regains her memory and tries to rebuild her identity.
SURVIVAL AND RESILIENCE. Through song, theatre, and visual arts, Skrik opens a singular, erratic, and powerful window onto incest - its mechanisms of dissociation and oblivion, and the difficult path toward its recognition by justice.
Catherine Makereel, Le Soir 9.02.2022
A Théâtre National Wallonie-Bruxelles production, 2021-24
Between fiction and documentary, SKRIK transposes to the stage the sudden, searing flash of fragmented memories resurfacing. The piece delves into the complex reality of incestuous rape and its aftermath. Performed by six interpreters, it offers the audience a powerful experience: entering the mind of a woman, a survivor who is regaining her memory and rebuilding her identity.
Language: French and English
Subtitles: English and French
Biennale of Women in Art, Brussels, 2024

©Julia Montier
Oratorio dei Crociferi, Venice, 2024
Biennale of Women in Art, Espace Vanderborght, Brussels 2024

©Melín Vazquez
Hanging dresses
Suspended in time,
Incest
Amnesia
Traumatic amnesia
Different sizes, different ages
Some very old representing several generations of trauma.
SKRIK means the scream in Norwegian, as an echo to Munch’s painting The Scream.
As an echo to her performance SKRIK, thirty white dresses hanging high in the air. The dresses are disembodied chrysalises, the embodiment of traumatic dissociation. The bust represents a strong protective adult woman. She stands, she takes responsibility as an adult towards the child: “I believe you.” The fabric rolls carry handwritten words, standing on the edge between healing bandages that define a safe space and parchments that hold liberating voices. They are present to collect words around incest. From these gathered fragments, a poetic form is created and read out loud by Elisabeth.


©Melín Vazquez
(2024)
©Melín Vazquez
Oratorio Dei Crociferi, Venice, 2024

©Elisabeth Woronoff

©Alexey Andronov

©Melín Vazquez

Children's faces emerging from the screaming floor of the Théâtre National Wallonie-Bruxelles, 2021
Lyrics written for the last scene of SKRIK.
REWRITING
I need Light and Yellow
Light and Yellow
Everywhere
I need dreams
I need strong dreams
Strong dreams are going to keep me alive
I want to stay ALIVE !
This is MY story !
I can breathe, I can breathe if I want to breathe
I can scream if I want to scream
I can move, I can dance, I can do whatever I want
This is MY story ! This is MY story !
I dance whenever I’m in the dark of my heart
I dance whenever I’m in the dark of my heart
My heart burns so much I can’t see it anymore it’s so burnt it’s gone black.
My heart is gone black, it’s burned it’s burned it’s burned I can’t see anything I’m dead I’m dead
Whenever I try to live I end up dying
Whenever I try to live I always end up dying
Tears falling down my eyes
I'll just let them fall tonight I'll just let them fall
Heart beating unevenly
Dreaming of the future!
What does it look like when I'm dreaming of the future
The future
No more tears,
No more tears,
No more tears !
Whatever comes comes !
Rewriting Rewriting rewriting I'm rewriting
This is This is
This is my heart
This is my heart beating in the Future
FREE
STEADY
GROUNDED
SAFE
UNCOMPROMISING
FREE
LIBERATED
OPEN - BRIGHT - GOLDEN HEART BEATING BEATING
If there's a heart beating, if there's a heart beating it means, it just means that I'm alive, it just means that I'm alive, I’m not dead, I’M ALIVE
I'M ALLLIIVVVVE !
ANDREA
BERNARD
EUGENIE
HENRIK
Poems created from collecting the screams of the people present at the SKRIK Installation in Brussels and Venice.
MAKES ME CRY
Makes me cry
Sudden change is needed now
Betrayal horror and trauma
Unbelievable, yet has to be believed
Vanity Fair
Without this article I wouldn't have believed my sister a week after
Sadness
Scream
A criminal cut his her wings
Xanan digar socut nemiconed
Zo zacht zo zacht
Soft
Quando
I thought I knew myself
Penser me connaître
For the women
We believe you
Just love
Women friends who allowed me to be there, thank you
Cornelia
I hate the disrespect towards women
Non dimandare
Do not wait
Childhood
Zwangs-jacke
Northern Ireland is currently the feminicide capital of Europe
The white will always be stained by red
Female rage
I feel uneasy
Locked away
Eng benommen hypokrit
Haut
Existenzangst
No words
Tio visto
I see you
It happened in an attic
Soñare
Cold feet
Being feerless
I miss you
I want to hug the past version of myself
DEZOLATIONE
Paura
Darkness
Brain Heart Body
Wüt
Trauer
Tutto chio e bestiale
un hurlo senza voce que pero qualcuno sente
Again again unmuffle the scream
Scream the scream
Ritorna come un flashback il ricordo
Like a dream which makes you feel uneasy
Paura constanza
Orrore!
Anime pure che tistorano come a dire: non dimenticate per poter cambiare
La forza della bellezza che non fi
Purezza ferita
TREMBLING
Respect and healing for the survivors
No
Impotenza e rabbia
Stop rape womxn!
It was in the street...
Ni olvido ni perdón
Vergogna e paura = silenzio e trauma
Lives of women
Friendship is the family
Wish this wasn't happening
Stay here only for the women
Remember me inside
Speranza
Egualianza
Dreaming
Tabboo
Pace
Love
Silence kills us
Hope
Life
No violence
Broken innocence
Feminism
Utopia
I hate him

©Kurt Van der Elst
(2021)
- SKRIK Show
A creation by Théâtre National & ARTEOS asbl
Direction and Performance
Elisabeth Woronoff
With
Eugénie Bernachon
Andrea Norvik Jervell
Henrik Roshauw Tidemann (alternating with Tom Clegg)
Bernard Woronoff
Matis Stecher Rasmussen (alternating with Oscar Pecher)
Sound Design, Musical Composition & Assistant Director
Maxime Glaude
Musical Composition
Franck Vigroux
Set and Lighting Design
Enrico Bagnoli
Sound Manager
Sébastien Courtoy
Lighting Manager
Michel Delvigne
Technical Director
Cédric Otte
Stage Manager
Dimitri Wouters
Movement Assistant
Tom Clegg
Acting and Movement Coach
Christian Burgess
Vocal Coaches
Alice Foccroulle, Laura Telly Cambier
Assistant Director (Intern)
Pauline Bernard
Voice-over
Vincent Hennebicq
Surtitles Support
Panthea
Contributors to the work-in-progress creation at Festival de Liège / Factory 2019
Rémi Faure (Assistant Director)
Julie Goldsteinas (Writing Assistant)
Demian Vitanza (Dramaturgy Consultant)
Creation
Studio Théâtre National Wallonie-Bruxelles
Production
Théâtre National Wallonie-Bruxelles and ARTEOS asbl
2024 Coproduction
Biennale of Women In Art
With the support of
City of Brussels
Les Brigittines
2022 Coproduction
With support for multilingual diversity from Théâtre de Choisy-le-Roi – Nationally Recognized Stage for Art and Creation for Linguistic Diversity, in collaboration with Panthea, L’Ancre – Théâtre Royal, and ARTEOS
Project originating from
Solo Carte Blanche, ESACT
With the support of
Fédération Wallonie-Bruxelles – General Service for Artistic Creation, Theatre Department
And with the support of
Festival de Liège, La Chaufferie Acte 1, France Morin Artist Project Iles, Les Midis de la Poésie, La Bellone, Compagnie Mossoux-Bonté, Taxshelter.be, ING, and the Tax Shelter of the Belgian Federal Government
Special thanks to
Françoise Bloch, Fabienne Goubille, Fabrice Murgia, Julien Sigard
- SKRIK INSTALLATION VENICE
TOGETTHERE WITH A WOMAN
Curators Marika Parsadanelli Wardell X Women in Art Brussels
- SKRIK INSTALLATION BRUSSELS
Artistic Direction
Elisabeth Woronoff
Production
ARTEOS asbl
With the support of
Fédération Wallonie-Bruxelles – Un Futur pour la Culture and the City of Brussels
Bust
Material: metal
Dimensions: 2.32 m x 0.80 m
Base surface: 1.18 m x 0.43 m
With the participation of: Julie Goldsteinas and Precy Numbi
Construction: François Prod’Homme
Dresses and Scrolls
Materials: fabric, metal
With the participation of: Claire Rennotte, CRU atelier, Julia Montier

Interview BX1 « Le Brunch », 27 March, 2024
Interview BX1 « Le Courrier Recommandé », 5 May, 2022
Article Arts Libre, 4 May, 2022
Article Bela, 8 March, 2022
Article LE MAD, 9 Feb, 2022
Article Le Soir, 8 Feb, 2022
Article Le Vif, 14 Feb, 2022
Article La Libre Belgique, 8 Feb, 2022
Article La Libre Belgique, 30 Jan, 2021

9-11-24 -> 24-11-24
Oratorio Dei Crociferi Venice (IT)
18-03-24 -> 30-03-24
Biennale of Women in Art – Espace Vanderborght (BE)
27-03-24
Biennale of Women in Art [extra muros] – Espace Magh (BE)
05-05-22 -> 14-05-22
Théâtre National Wallonie-Bruxelles (BE)
10-02-22 -> 12-02-22
L’Ancre – Théâtre Royal, Charleroi (BE)
08-02-22
Théâtre Cinéma Paul Éluard, Choisy-le-Roi (FR)




























